![]() ![]() ![]() Everything from the layout to the keyboard shortcuts flows beautifully, and whether I’m deepening a dubstep growl, brightening a eurobeat brass, or just plain dabbling in any of its stellar built-in plugins, Logic is a DAW that will heighten, not hinder, your productions. I personally use Logic Pro 9 to produce my own work, and I adore its workflow. ![]() Logic Pro 9 is particularly good if you’re working with MIDI, though audio-oriented producers are certainly not left in the cold with Logic’s answer to Live’s Warp feature, Flex. Sure, it may only work with a proprietary plugin format (AU) and it doesn’t have a built-in performance mode like FL Studio or Ableton Live, but what it does have, it handles so masterfully and flexibly it’s hard to hold that against it. Logic Pro 9 is possibly one of the best DAWs on the market, surpassing even its successor Logic Pro X. Logic Pro X gives a lot of nice features, but it's not so much an upgrade so much as a shift from the previous version. But existing Logic users will be turned off by a rehauled workflow that caters more to newbies and fans of other DAWs than the way we knew and loved, as well as a distinct lack of 32-bit plugin support (a much-beloved feature of the previous version, and a big reason why many who upgrade to X return to 9). Yes, it has new plugins (including a fantastic vocal editor that directly rivals Melodyne) and sounds, and if you're new to production or have recently 'graduated' from Garageband, then these will serve you well. Logic Pro X may be the successor to the much-beloved 9, but it doesn't succeed on quite as many levels. ![]()
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